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1969 Australia One Dollar Note – ARL

$49.95 AUD

Availability: 1 in stock

SKU: ARL700710-12 Category:
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This note is in very nice condition over all.

A small ring of what look like light rust marks on the upper left of the obverse are the sole detraction from an otherwise unmarked note.

This note will add real value to your collection.

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Obverse: Elizabeth II (Elizabeth Alexandra Mary; born 21 April 1926) is the queen regnant of sixteen independent sovereign states known informally as the Commonwealth realms: the United Kingdom, Canada, Australia, New Zealand, Jamaica, Barbados, the Bahamas, Grenada, Papua New Guinea, the Solomon Islands, Tuvalu, Saint Lucia, Saint Vincent and the Grenadines, Belize, Antigua and Barbuda, and Saint Kitts and Nevis. She holds each crown separately and equally in a shared monarchy, as well as acting as Head of the Commonwealth, Supreme Governor of the Church of England, and Head of State of the Crown Dependencies, British overseas territories, the Realm of New Zealand and the external territories of Australia. As a constitutional monarch, she is politically neutral and by convention her role is largely ceremonial

Reverse: Aboriginal Art Theme by David Malangi (1927 – 27 June 1998) was an Indigenous Australian Yolngu artist from the Northern Territory. The Yolngu (or Yol?u) are an Indigenous Australian people inhabiting north-eastern Arnhem Land in the Northern Territory of Australia. Yolngu vfwvrally means “person” in the language spoken by the people. One of the most well known bark painters from Arnhem Land. The reproduction of one of his designs was produced on the Australian one dollar note in 1966. (originally without his knowledge – when he became aware of this, he was given financial compensation). The payment by the Reserve Bank of Australia to Malangi began issues of Aboriginal copyright in Australia. He was born at Mulanga, on the east bank of the Glyde River.

Watermark: Captain Cook in left panel

History

David Malangi’s “Gunmirringu funeral scene”, painted in 1983, was one of eight bark paintings he made and placed on exhibition in the 1983 Australian Perspecta at the Art Gallery of New South Wales, Sydney, as a land rights statement. The works were created and put together after discussions with the artist about his concerns for the safety of his sacred sites in Arnhem Land, under threat from mining and commercial fishing. Gunmirringu and the great ancestral hunter. These themes are central in Malangi’s art works. Gunmirringu is shown lying in state. His clansmen are around him, holding clapsticks, singing ceremonial songs and dancing. Darrpa, the deadly brown snake, which bit and killed Gunmirringu, is shown alongside. Around him also are the spoils of his last hunt: yams, nuts and a butchered kangaroo, which commonly refers to the death of a person. Gunmurringu’s was the first funeral, and this story tells of how death came into the world. It is enacted through ceremony and art to assist the passage of the soul after a member of the clan dies. In this composition, the ceremony is framed within two flowering stringy bark trees. These trees often refer to the raga, or white berry bush, under which Gunmirringu sat, cooking his food, when the snake struck.

*All biographical details are taken from Wikipedia for education purposes only

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